To challenge your creative abilities, take a short story you've written and turn it into a radio play. This exercise gets you to focus on sounds. One benefit is that when you write your next piece of prose fiction you will be more likely to enrich the work with sound references.
A variation of this activity is to listen to a short extract of a radio play and transcribe it using the technical terms and page layout below.
- Acoustics – The sound quality of a room or other place. For example 'echoing', 'large open space', etc. You can also say things like 'church acoustic' or 'woodland acoustic'.
- Approaching – The sound is getting closer.
- B/G – Background sounds.
- Bring Up / Fade Up – Increase volume (Similarly Bring / Fade Down).
- Clean In / Clean Out – A sudden opening or closing of a scene without fading sounds up or down.
- Crossfade – Blending the sounds of a scene ending with the sounds of the next scene beginning.
- Cut To – Sudden switching of sound to mark a scene change.
- Distort – Instruction that speech is to be distorted somehow, for example over a telephone or loudspeaker.
- F/X – 'Effects', followed by particular sounds needed.
- Off (or Away) – Positioning the speaker away from the microphone.
- On (or Close) – Positioning the speaker close to the microphone.
— Steve Bowkett.
|Author:||Kevin Machin||Date:||June 10, 2017 12:00 pm|
|Comments:||0 – permitted||Article:||3180 – public|